June 17, 2008
-{9:55 am}-
Filed by trumwill from Elsewhere

The Darkness Within Michael Scott

Michael Scott is a much more sympathetic character than David Brent, his British counterpart on the The Office television shows. Or maybe that should be a less unsympathetic character. I’ve before commented that Scott was two-parts annoying and one-part creepy and Brent was one-part annoying and two-parts creepy. Scott is obnoxious, but Brent is slimy. American audiences don’t do as well with that kind of character, so we got a version slightly watered down with sugar-water. Besides, if we’re going to follow characters around for 100+ episodes over five or more years, we need help chugga-lugging down what might otherwise be digestible in the 12 half-hour episodes and movie special in Britain.

In any case, one of the things that I’ve heard at least a couple people say about Scott (both in comparison to Brent, though it can be said in comparison to Dwight Shrute as well) that he is obnoxious and immature, but basically harmless. I don’t entirely agree with that assessment.

The things that you have to ask yourself about people when assessing how dangerous they are to you is “What do they want?” and “How much do they want it?” With Dwight Shrute, what he wants more than anything is authority. This may make him a more transparently problematic person, but as with Brent at least you can see it coming. The problem with Scott is that what he wants is what we all want: to be loved, respected, and admired. The disquieting part is the second question. How much does he want it? Pretty much to the exclusion of anything else. Honor, morality, friendship, and romantic love are all subordinate to the desire to be included and admired.

The most telling scene with Michael Scott was when he was showing a video of his younger self on a kiddie show of some sort. He is asked what he wants most from life and he says it’s to get married and have 100 kids so that none of them could decline to being his friend. One of the saddest scenes on television pretty much ever.

Frankenstein’s Monster said something along the lines of “I am a monster because I am in pain.” Whenever I run across someone either in real life or in entertainment that has an emptiness in their heart, it makes me very wary.

Michael Scott’s younger years are never spelled out and though he likes to talk about himself he doesn’t really do so in honest or accurate terms, so we’re left to speculate. Nonetheless, it seems relatively apparent to me that Michael hasn’t just been hurt by what social rejection almost certainly took place in his past, but rather that he’s been scarred by it. I see within him a certain darkness in his soul where the part of him that is loved and accepted should reside. That’s not to say that he is completely unloved and unaccepted as his mother seems to love him (if not respect him) and Dwight functionally (if not earnestly) respects him, but it’s clearly not enough.

That’s the crux, for me. That’s the part that drives Michael Scott to be as obnoxious as he is. I don’t see Michael as, once having the love of a wife and the respect of some friends, becoming complete and satisfied. The people I’ve known that have been like him are often more than just missing something, but rather have hunger that is never really satisfied. Michael Scott is quite possibly warped by his own experiences and determined to be satisfied with nothing less than the impossible. People that are this way may be pitiable, but more than that they are dangerous. To become their friend is to in a sense feed a monster.

The monster isn’t Michael himself, but rather his insecurities and his need to be accepted. Give him what he thinks he wants and he will simply try to turn it into more. At your expense, if necessary.

The see the dark side of Michael Scott, you simply need to look at how he treats those whose approval he doesn’t need. It’s a relatively small group, to be sure, but it’s there. His atrocious behavior towards Pam’s landlord is an example. She is not young and not particularly attractive and so she is useless to him. He is nice enough to Dwight only when Dwight has something to offer him and is rather contemptuous the rest of the time. With the exception of her wedding, which I’ll get to in a minute, he is pretty consistently rotten to Phylis. Michael was nice to Phylis at her wedding and Kevin during the cancer scare, but his niceness only existed insofar as to draw attention to himself. Otherwise, they’re dead to him. Meanwhile, Ryan and Jim are useful to him because he admires them and Stanley, Darryl, Kelly, and to a lesser extent Oscar are useful to him because they reinforce his self-perception as a paragon of tolerance and understanding. Pam is invisible except insofar as she is pretty.

Nobody that is familiar with the show doesn’t know the above things about Michael, but it’s easier to overlook them. We pity him and we laugh at his ineptitude, but I think that we can sometimes overlook how toxic such people can be. You’re not even a person to such people but rather a positional lever. Subconsciously, I think he has the Groucho Marx philosophy that he wouldn’t want the earnest friendship of anyone that would sink so low as to want to be his friend. Once he is loved and accepted by a woman given time he will likely aim for more reassurance and look upward.

Despite all this, I have a great amount of sympathy for the character. The same sort of sympathy I have for stray animals and more recently homeless people. I feel terrible for their problem, but the second you involve yourself they become a problem for you. You can try to help homeless people and animals by donating to charities that get involved. Too bad there’s no such charity for giving the Michael Scotts of the world love and acceptance.

2 Comments

  1. What a great post :) Every so often you come up with something out of the woodwork that nobody else could’ve posted about, and aced it. Nice job.

    I’ve had similar thoughts about Michael Scott’s character, and how it relates to David Brent. While David could simply be described as “stuck on himself” and his perceptions of himself as a great person, performer, boss, etc, Michael’s problems are way deeper and 3-dimensional. At least to an American audience. It could be the British audience could find much more depth in David than Michael.

    I think his scarring is a particularly common American injury - maybe not as deeply as Michael’s, but it has to be deep in order to resonate loudly. So many Americans are growing up today without the love and acceptance of a family, at least not what I was used to, and still try my absolute best to give my kids. They are birthed, fed, watered, Nintendoed and Nickelodeaned all day and left to fend to their own emotional needs while mom and dad fight, ignore each other or just aren’t there. I think a lot of people find something about Michael to identify with and have trouble admitting it, while at the same time either feeling sorry for or loathing him. I know I had and still have some similar self-esteem and need-to-be-liked-and-appreciated issues that he has, just not to that extreme. So he’s a fascinating character to watch.

    I hope in the seasons to come we find out more about his childhood, because I would imagine there are some dark things there. I am an optimist, however, and would hope that he somehow by the end of the show finds the strength to turn around, or at least begin a journey of healing himself. It would be a fascinating thing to watch, and could possible give people some hope when they don’t even realize it.

    There have been glimpses of a better nature, especially in his mentor/student relationship with Jim - the scene on the Booze Cruise talking about Pam was one, another was the one in the conference room during a party where Jim made the “that’s what she said” joke. I’m thinking Jim might be the one to pull that side out of Michael, if he wants to.

    I’m curious as to your analysis of Michael’s hate-hate-hate attitude toward Toby, and why such really undeserved vitriol was always aimed at the HR guy. I know on the outside Michael would always complain that Toby was the party-pooper, never let anyone have any fun, etc but compared with Toby’s nice-guy, low-key and professional mannerisms there just seems to be something else there. I wonder if maybe Michael’s father was something like Toby? I’m probably delving too much into a sitcom character, but that conflict has always been one of the most interesting of the show.

    Comment by Barry — June 17, 2008 @ 11:00 am

  2. If David Brent can find redemption at the end of the British version, I suspect that Michael Scott may well do so in the American version. I hope so. People like Scott are not beyond the ability to recover, but rather it’s not something that happens simply because they get what they ostensibly want.

    As for Michael and Toby… I have a couple of theories. First is that he sees in Toby those parts of himself that he tries like hell to suppress. Toby doesn’t get along well with people, is not a particularly brave guy, isn’t a leader, and so on. The second idea, which is not mutually exclusive to the first, is that he needs Toby as someone to set himself apart from. He needs to define who he isn’t so that he knows who he is. He wants to be the anti-Toby. A third possibility is that unpopular people often target other people that they perceive to be unpopular (or vulnerable to becoming so) to try to puff themselves up. that’s one of the ways that people like Michael Scott can be dangerous.

    Comment by trumwill — June 18, 2008 @ 10:21 pm

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